E1
The Dundies
Michael hosts his annual awards ceremony at a Chili's, showcasing both his cringe factor and his sincere desire to celebrate his employees.
Michael Scott is the regional manager of Dunder Mifflin's Scranton branch, a man whose desperate need to be loved by everyone around him drives both the comedy and the heart of the show. His management style is a chaotic blend of inappropriate jokes, misguided motivational speeches, and occasional flashes of genuine brilliance that somehow keep the branch afloat as one of the company's most profitable locations.
Beneath the cringe-worthy antics lies a deeply lonely man. Michael's childhood, marked by an absent father and a desire for belonging, explains his compulsive need to turn his workplace into a surrogate family. His relationships — from the toxic Jan Levinson saga to the sweet romance with Holly Flax — chart his slow emotional maturation over seven seasons.
Michael's genius is that he is simultaneously the worst boss imaginable and the best. He creates HR nightmares on a daily basis, yet his employees gradually come to genuinely care for him. Moments like his response to the CPR training dummy, Prison Mike, or his declaration that he is Beyonce always reveal a man who is trying his absolute hardest, even when his hardest is spectacularly misguided.
His departure in Season 7, when he quietly removes his microphone before boarding a plane to Colorado to be with Holly, remains one of the most emotionally devastating moments in sitcom history. The fact that he returns for the finale's final scene — delivering one last "That's what she said" — is the perfect send-off for television's most lovably incompetent manager.
Michael hosts his annual awards ceremony at a Chili's, showcasing both his cringe factor and his sincere desire to celebrate his employees.
Michael juggles two dates while Jim finally confesses his feelings to Pam in one of the series' most pivotal episodes.
Michael and Jan host the office for an excruciatingly awkward dinner party, widely considered one of the greatest comedy episodes ever aired.
After Dwight's fire drill causes chaos, Michael screens his own movie and the office roasts him in a legendary two-part episode.
Michael Scott's emotional farewell to Dunder Mifflin as he leaves Scranton to start a new life with Holly Flax in Colorado.
Michael Scott - Best Moments
Goodbye, Michael - Final Scene
"That's what she said."
— Michael Scott, Recurring catchphrase throughout the series
"I'm not superstitious, but I am a little stitious."
— Michael Scott, Season 4, Episode 1 - Fun Run
"Would I rather be feared or loved? Easy. Both. I want people to be afraid of how much they love me."
— Michael Scott, Season 2, Episode 6 - The Fight
Steve Carell plays Michael Scott in The Office (US). Carell portrayed the character for seven seasons (2005-2011) and received a Golden Globe Award for Best Actor in a Television Series Musical or Comedy in 2006 for the role.
Steve Carell left The Office after Season 7 in 2011. While the exact reasons involved contract negotiations and a desire to pursue film roles, Carell has said he would have stayed if asked in the right way. His departure in "Goodbye, Michael" (Season 7, Episode 22) is one of the most emotional moments in the series.
Michael Scott's most famous catchphrase is "That's what she said," an innuendo-based joke he deploys at every possible (and impossible) opportunity. Other iconic lines include "I'm not superstitious, but I am a little stitious" and "Would I rather be feared or loved? Easy. Both. I want people to be afraid of how much they love me."
Yes, Michael Scott makes a surprise return in the series finale (Season 9, Episode 23). He appears at Dwight's wedding, delivers one final "That's what she said," and reveals he has children with Holly. The cameo was kept secret from audiences until air.
Yes, Michael Scott is the American adaptation of David Brent, played by Ricky Gervais in the original UK version of The Office. While the first season closely mirrors the British original, Steve Carell made the character distinctly his own from Season 2 onward, adding more warmth and vulnerability to the role.